In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: Understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-admi...(展开全部)

这是一部描写在日常生活中猫与人类之间相互关系的幽默故事， 我们的主人公麦克，毫无疑问是只猫， 但故事同样也反映了人类的态度。 在故事中，猫似乎成了反映人类着“超级物种”的一面镜子。 一天，麦克出现在漫画家小林的家中。 即使从那一天起，小林和他的妻子便开始尽力与麦克相处， 猫想上他自己的事情，而人类则时时要改变它，这便是故事矛盾的主线。 麦克仅是一只不同的猫。 自由，冷漠而懒散，身边围绕着那些来去匆匆的人类。 而作为猫，他也有自己的事情要处理，与凶猛的母猫猫斯拉相处就是一个例子。 猫斯拉甚至连狗都惧怕她三分，更不要说麦克了。 但麦克还有他惟恐避之不及的事情，那就是孩子的玩弄。 故事当中有很多情节都将猫拟人化，例如，我们经常可以看到他们在一起开会或踢球等等……

Drawing power from magazines and newspapers to ads, websites, album covers, and even mobile phone wallpaper, illustration is a crucial element in visual communication today. With unlimited creative possibilities, illustration is as unbound as imagination itself; whether it's a simple pencil drawing, an ornate airbrushed painting, or a computer-generated image, an illustration s...(展开全部)

For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by M...(展开全部)

For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by M...(展开全部)

Drawing power from magazines and newspapers to ads, websites, album covers, and even mobile phone wallpaper, illustration is a crucial element in visual communication today. With unlimited creative possibilities, illustration is as unbound as imagination itself; whether it's a simple pencil drawing, an ornate airbrushed painting, or a computer-generated image, an illustration s...(展开全部)

What is the meaning of life? It is a question that has intrigued the great philosophers--and has been hilariously lampooned by Monty Python. Indeed, the whole idea strikes many of us as vaguely pompous, a little absurd. Is there one profound and mysterious meaning to life, a single ultimate purpose behind human existence? In What's It All About?, Julian Baggini says no,...(展开全部)